Dynamic range across music genres and the perception of dynamic compression in hearing-impaired listeners
Open access
Datum
2016-01-01Typ
- Journal Article
ETH Bibliographie
yes
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Abstract
Dynamic range compression serves different purposes in the music and hearing-aid industries. In the music industry, it is used to make music louder and more attractive to normal-hearing listeners. In the hearing-aid industry, it is used to map the variable dynamic range of acoustic signals to the reduced dynamic range of hearing-impaired listeners. Hence, hearing-aided listeners will typically receive a dual dose of compression when listening to recorded music. The present study involved an acoustic analysis of dynamic range across a cross section of recorded music as well as a perceptual study comparing the efficacy of different compression schemes. The acoustic analysis revealed that the dynamic range of samples from popular genres, such as rock or rap, was generally smaller than the dynamic range of samples from classical genres, such as opera and orchestra. By comparison, the dynamic range of speech, based on recordings of monologues in quiet, was larger than the dynamic range of all music genres tested. The perceptual study compared the effect of the prescription rule NAL-NL2 with a semicompressive and a linear scheme. Music subjected to linear processing had the highest ratings for dynamics and quality, followed by the semicompressive and the NAL-NL2 setting. These findings advise against NAL-NL2 as a prescription rule for recorded music and recommend linear settings. Mehr anzeigen
Persistenter Link
https://doi.org/10.3929/ethz-b-000117818Publikationsstatus
publishedExterne Links
Zeitschrift / Serie
Trends in HearingBand
Seiten / Artikelnummer
Verlag
SAGEThema
Dynamic range; Music genre; Compression; Hearing loss; Hearing aids; Deriving initial fittings; Multichannel compression; Speech-intelligibility; Quality ratings; loudness model; Sound quality; Aids; Noise; Preferences; ExposureETH Bibliographie
yes
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